Studio

At work

In the studio and outdoors: painting, wood carving and Vincenzo Follykoué’s early canvases.

Vincenzo Follykoué kneeling in his studio, working on a canvas laid on the floor — A canvas in progress, worked flat on the floor.

Vincenzo Follykoué carving a totem with mallet and gouge — Direct carving of a totem, with mallet and gouge.

Vincenzo Follykoué in overalls, leaning on one of his totems — Beside one of his totems.

Vincenzo Follykoué smiling in front of a painted mural — In front of a mural, gloves still covered in paint.

The gesture

Brushes, knives, gouges and mallet: Vincenzo moves from canvas to wood with the same energy. He often paints flat on the floor, and carves his totems straight into the trunk, without a model.

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Early years

The first canvases

Long before the totems, Vincenzo was already painting large abstract compositions in the ochres, reds and blacks that still run through his work.

A young Vincenzo Follykoué, arms crossed, in front of his first abstract canvases — In front of his first abstract canvases.

Vincenzo Follykoué in front of two of his canvases and a mask — Two canvases from that period, hung around a mask.